Hilary Summers

Contralto

“Then there was the extraordinary Hilary Summers whose showing as Jocasta negotiated the near-impossible register switches and freakish excitement of her big number with great aplomb and clever musicianship.”

Edward Seckerson, The Arts Desk

Born in South Wales, contralto Hilary Summers studied at Reading University, the Royal Academy of Music and the National Opera studio. She has recorded over forty CDs spanning works from the early baroque period to the present day and has sung in most of the major concert halls and opera houses of the world.

Highlights

  • Debut appearance at Teatro alla Scala, Milan; Netherlands Opera – Kurtag Fin de Partie (Nell) – directed Pierre Audi, conducted Markus Stenz
  • Los Angeles Philharmonic – Thomas Adès; Britten Sinfonia, Barbican – Gerald Barry Alice’s Adventures Under Ground (White Queen)
  • Teatro Real Madrid – Ginastera Bomarzo (Diana Orsini) – conducted David Afkham, directed Pierre Audi
  • Festival International d’Art Lyrique et de Musique Aix-en-Provence; Netherlands Opera – Stravinsky Mother Goose The Rake’s Progress – conducted Ivor Bolton
  • Finnish Radio Symphony Orchestra – Zimmermann Soldaten Symphony (also recorded for Ondine)
  • Early Opera Company, Christian Curnyn – Handel Giulio Cesare (Cornelia) – Kilkenny & London Handel Festival

Biography

Her three-octave range has excited the attention of many composers. She has sung in numerous world premières including George Benjamin’s Into the Little Hill at the Bastille, Paris; Elliot Carter’s What Next at the Staatsoper, Berlin; Gerald Barry’s The Importance…

Her three-octave range has excited the attention of many composers. She has sung in numerous world premières including George Benjamin’s Into the Little Hill at the Bastille, Paris; Elliot Carter’s What Next at the Staatsoper, Berlin; Gerald Barry’s The Importance of Being Earnest in London and New York and Alice’s Adventures Under Ground with the LA Philharmonic Orchestra in Los Angeles and with Britten Sinfonia in London; Peter Eotvos’ Le Balcon at the Aix Festival and Facing Goya and War Work by Michael Nyman.

Hilary worked closely with the iconic composer and conductor Pierre Boulez from 2004. With the Ensemble Intercontemporain, they recorded his masterwork Le marteau sans maître, for which she won a Grammy, and performed the piece worldwide. She also performed Le visage nuptial, Stravinsky’s Les Noces and Ligeti’s Aventures and Aventures nouvelles under his inspirational baton.

A regular soloist with leading European period instrument ensembles, she has a close rapport with Christian Curnyn and the Early Opera Company with whom she has recorded Handel’s Semele, Partenope, Flavio, Serse, and Il trionfo del tempo. Other baroque highlights include Handel’s Orlando (Medoro in Robert Carson’s production with William Christie and Les Arts Florissants); Purcell’s Dido and Aeneas (Sorceress in Deborah Warner’s production with Les Arts Florissants) and Handel’s Admeto (Trasimede with Christophe Rousset and Les Talons Lyriques at the Sydney Opera House).

Hilary sings internationally on the concert platform in a variety of repertoire from Bach to Birtwistle and has given over one hundred performances of Handel’s Messiah. Other favourite concert works include Elgar’s Dream of Gerontius, Mendelssohn’s Elijah, Schoenberg’s Pierrot Lunaire and Mahler’s Symphonies 2 and 3.

Operatic roles include Sorceress; Juno; Cornelia; Polinesso; Amadigi; Tisbe (La Cenerentola); Gaea (Daphne); Geneviève (Pelléas); Baba the Turk/Mother Goose; Hippolyta; Mrs Sedley; Bianca; Mescalina (Le Grand Macabre); Tiger Lily/Mrs Darling (Peter Pan); Miss Prism.

Film soundtracks include The Claim and The Libertine by Michael Nyman, The Fellowship of the Ring by Howard Shore and The Hitchhiker’s Guide to the Galaxy, Son of Rambo and the BBC TV series The League of Gentlemen by Joby Talbot.

Recent and future highlights include Mother Goose in Stravinsky’s The Rake’s Progress at the Festival d’Aix-en-Provence and Netherlands Opera, Diana Orsini in Ginastera’s Bomarzo at the Teatro Real, Madrid, Madame Dilly in Bernstein’s On The Town in Hyogo and Tokyo, Cornelia in Giulio Cesare with Christian Curnyn and Early Opera Company, concerts with ORF Radio Symphony, The King’s Consort, La Serenissima, Finnish Radio Symhony and Royal Stockholm Philharmonic. In the 18/19 season she makes her debut appearance at Teatro alla Scala, Milan singing ‘Nell’ in the world première of Kurtag’s Fin de Partie, before reprising the role for Dutch National Opera.

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ARTIST WEBSITE

Contact:

Nicki Wenham Artist Manager
Direct line: +44 20 7096 1574
Mobile: +44 7587 418 577 (Outside office hours)
Email: nw@maxinerobertson.com
Rebeccah Considine
Associate Artist Manager
Direct line: +44 20 7993 2242
Mobile: +44 7746 810875 (Outside office hours)
Email: rco@maxinerobertson.com
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