MRM Artists enjoyed successes across Europe throughout March, right up to the final curtain close before the COVID-19 lockdowns began, with several notable highlights. Jette Parker Young Artist Michael Mofidian...MORE
At the 2019 BBC Proms Markus Stenz conducts BBC NOW in Strauss, Brostroem & Brahms, Sunnyboy Dladla sings Mozart Requiem with BBC NOW with Natalie Stutzman, Hilary Summers sings Beethoven Symphony...MORE
This summer Barrie Kosky will stage Offenbach’s Orphée aux enfers at the 2019 Salzburger Festspiele, the sixth new production for the director in this season alone, which has also included...MORE
Barrie Kosky returns to the Royal Opera, Covent Garden with a new production of Handel Agrippina, conducted by Maxim Emelyanychev, opening on 23 September; Mark Padmore takes the stage as...MORE
Artistic Director Douglas Boyd continues to take Garsington Opera from strength to strength, reflected in their nomination in the Festival category. The nominees for Best Recording (Complete Opera) include Barrie...MORE
• Bayerischen Staatsoper – Handel Agrippina
• Salzburger Festspiele – Offenbach Orphée aux enfers
• Komische Oper Berlin – new productions of Bernstein Candide, Puccini La Bohème and the world premiere of M – Eine Stadt sucht einen Mörder
• Bayreuther Festspiele – Wagner Die Meistersinger von Nürnberg
• Future productions at Opéra National de Paris (Prince Igor), Frankfurt Oper (Salome), Glyndebourne Festival Opera (Dialogues des Carmélites), Aix-en-Provence Festival.
Barrie Kosky is the Intendant and Chefregisseur of the Komische Oper Berlin. At the end of his first season for 2012/13, the Komische Oper was voted ‘Opera House of the Year’ by Opernwelt magazine.
His work at the Komische Oper Berlin has included The Magic Flute (co-directed with 1927), which has been seen by over a quarter of a million people in three continents, The Monteverdi Trilogy, Ball at the Savoy, Eugene Onegin, Les Contes d’Hoffmann, Rigoletto, La Belle Hélène, Moses und Aron, La bohème, Rusalka, Le Grand Macabre, West Side Story, Pelléas et Mélisande, Semele, The Fair at Sorochintsï, Die Perlen von Cleopatra, Anatevka and Candide.
His awards include the Olivier Award for Best New Opera Production for Castor and Pollux (English National Opera), Best Director at the 2014 International Opera Awards, Best Opera House (Komische Oper Berlin) at the 2015 International Opera Awards, the 2015 Gold Iffland Medal from the Berliner Theater Club and the 2016 Royal Philharmonic Society Award for Opera and Music Theatre for Saul (also nominated for a 2016 International Opera Award). In 2016 he was named Director of the Year by Opernwelt and in 2017 Kosky’s production of Saul won six out of seven categories at the Helpmann Awards, including Best Opera and Best Opera Direction. In 2018 Kosky’s Bayreuth Festival production of Die Meistersinger von Nürnberg was announced as Production of the Year by Opernwelt.
Barrie Kosky has directed opera productions for the Bayerische Staatsoper (Die Schweigsame Frau, The Fiery Angel and Agrippina), Glyndebourne Festival Opera (Saul), Royal Opera House, Covent Garden (The Nose, Carmen), Oper Frankfurt (Dido and Aeneas/Bluebeard’s Castle and Carmen), Dutch National Opera (Armide), Oper Zurich (La Fancuilla del West, Eugene Onegin, Die Gezeichneten and Macbeth), Bayreuth Festival (Die Meistersinger von Nürnberg). He has also presented his productions at the Los Angeles Opera, Teatro Real Madrid, Gran Liceu Barcelona, Vienna Staatsoper, English National Opera, Oper Graz, Theater Basel, Aalto Theater Essen, Staatsoper Hannover, Deutsches Theater Berlin and Schauspielhaus Frankfurt and is a regular guest at the Edinburgh International Festival.
Last season (18/19) Kosky presented seven new productions including (Die Gezeichneten) for Zurich Opera, (Candide, La bohème and the world premiere of M – Eine Stadt sucht einen Mörder – A City searching for a murderer) for Komische Oper Berlin, (Les Boréades) for Opéra de Dijon, (Agrippina) at the Bayerischen Staatsoper and Orphée aux enfers for the Salzburger Festspiele.
Future plans include The Bassarids and Weinberger’s Frühlingsstürme for Komische Oper and new productions for Opéra National de Paris (Prince Igor), Oper Frankfurt (Salome), Glyndebourne Festival Opera (Dialogues des Carmélites) and Festival d’Aix-en-Provence.
Born in Melbourne, Kosky was Artistic Director of Gilgul Theatre Company 1990–97, Artistic Director of the 1996 Adelaide Festival and from 2001-2005 he was co-Artistic Director of the Vienna Schauspielhaus.This biography should not be edited without permission from Maxine Robertson Management.
Mobile: +44 7587 418 577 (Outside office hours)
Hours: Monday-Friday 09:30 - 17:30
Hours: Tuesday - Friday: 0930-1700