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Markus Stenz
Conductor
“Markus Stenz, the Baltimore Symphony Orchestra’s new principal guest conductor, worked several kinds of magic Saturday...
Washington Post
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Elizabeth Watts
Soprano
“Elizabeth Watts confirmed her place as one of Britain’s leading sopranos as the traduced Iole, desolate...
Stephen Pritchard, The Observer
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Barrie Kosky
Director
Intendant and Chefregisseur of the Komische Oper, Berlin
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Carolyn Sampson
Soprano
“Carolyn Sampson, whose voice and presence are always recognisable no matter what her disguise, provides three...
Edward Seckerson, The Independent
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Mark Padmore
Tenor
“...Mark Padmore's tenor caught on prime form. Such pleasing timbre, such luminous diction, such sensitivity to...
Piers Burton-Page, International Record Review
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Karen Cargill
Mezzo-Soprano
“But the Scottish mezzo Karen Cargill brought such exquisite expression and a warm, vibrant and ample...
Corinna da Fonseca-Wollheim, The New York Times
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Robin Johannsen
Soprano
“Robin Johannsen’s assumption of this, the biggest female role [Clio], comes close to stealing the show....
Brian Robins, Opera Magazine
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Xavier Sabata
Countertenor
“Sabata has one of the richest of counter-tenor voices, his warmth of tone carrying intimations of...
Tim Ashley, The Guardian
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Sunnyboy Dladla
Tenor
“More impressive is the South African tenor Sunnyboy Dladla, who projects cleanly and articulates the runs...
Rupert Christiansen, The Telegraph
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Elena Sancho-Pereg
Soprano
“There was only one soprano, but a delightful one - Elena Sancho, whose resinous timbre reminded...
Rupert Christiansen, The Telegraph
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Ruby Hughes
Soprano
“Her singing is exceptional for its consistency [...] invariably true in pitch and capable of a...
George Hall, BBC Music Magazine
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Douglas Boyd
Conductor
“He is one of the major British occupants of a rostrum today and will be increasingly...
The Sunday Telegraph
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Katherine Broderick
Soprano
“…and especially, making her role debut, she reveals an Isolde of irresistible youth, radiance and power.”
Opera Magazine (France)
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Christian Curnyn
Conductor
“Find anything exciting happening in period opera in the UK and Curnyn will be involved, whether...
Alexandra Coghlan, The Spectator
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Michael Mofidian
Bass-Baritone
“Mofidian, from the first, still note of the Brahms showed himself a singer of immense talent,...
Fiona Maddocks, Observer
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Garry Walker
Conductor
“Presiding musically over the show is conductor Garry Walker, who shows a profound understanding of the...
George Hall, The Stage
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Maite Beaumont
Mezzo-Soprano
“Maite Beaumont as Ruggiero with the inner radiance of her mezzo-soprano makes a convincing case that...
Frankfurter Allgemeine Zeitung
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Claudia Huckle
Contralto
“Behind Claudia Huckle's compelling Lucretia one really can sense the distant presence of Kathleen Ferrier, the...
Michael Church, The Independent
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James Way
Tenor
“James Way is young as Jupiters go, but rattling off virtuoso semiquavers, he displayed an astonishingly...
Barry Millington, Evening Standard
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Edgaras Montvidas
Tenor
“Montvidas, on the other hand seems perfect from the start... pleasing on the ear, and matched...
Richard Morrison, The Times
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Hilary Summers
Contralto
“Then there was the extraordinary Hilary Summers whose showing as Jocasta negotiated the near-impossible register switches...
Edward Seckerson, The Arts Desk
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Elena Galitskaya
Soprano
“Among the soloists, the most convincing is the young Russian Elena Galitskaya - with glowing well-articulated...
Opernglass
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Gavan Ring
Baritone
“...the lavish talents of Gavan Ring in the title role...agility of a gymnast and the vocal...
Martin Dreyer, Opera Magazine
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Sally Matthews
Soprano
“Better still were the virtuoso Mozart arias delivered with incandescent verve by the soprano Sally Matthews...”
Richard Morrison, The Times
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James Newby
Baritone
“Newby's 'Papageno's Aria' was intensely idiomatic, the sad clown incarnate, and he invested in 'Erlkönig' with...
Michael Church, The Independent
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Stuart Jackson
Tenor
“Stuart Jackson sang Pierre with haunting, wistful coolness. The melismatic writing hinted at another outsider, Britten's...
Fiona Maddocks, The Observer
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Andrew Tortise
Tenor
“...Andrew Tortise’s compelling account of the Prologue, three minutes that can pass for very little in...
Terry Blain, Opera Magazine
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Marcus Farnsworth
Baritone
“As dangerous Eddy, the award-winning young baritone Marcus Farnsworth is electrifying. He has no trouble with...
Rupert Christiansen, The Telegraph
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Thomas Walker
Tenor
“Thomas Walker was bold in the tenor arias, delivering a sensual 'Comfort Ye', an unflinching 'Thy...
Kate Molleson, The Guardian
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Serena Sáenz
Soprano
Serena Sáenz in the role of Clarice sings an impressive aria at the beginning of the...
Elias Pietsch, Der Tagesspiegel, April 2018
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Jordan de Souza
Conductor
“The house’s new Kapellmeister Jordan de Souza, 29, opened the season with a gripping performance of...
A J Goldmann - New York Times
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